From a music-theatrical Stabat Mater to pure electronics, from a minimalist string quartet with harmonica to video art with a touch of classical music. Behold the extremes that musicians and performers explored last Saturday night at Utrecht’s Gaudeamus Festival of New Music. Two key words: boundless, interdisciplinarity. door Wynold Verweij Mees Vervuurt (°2000) surprised withContinue reading “Gaudeamus flirts with flashlight and microtonality”